Leaving on a jet plane...
I don't know how many of you reading this is religious, or have at least thought about what religion means to you (or the people around you). I've given this a lot of thought this past month and was "forced" to come face to face with not just what religion (Christianity) means to me, but also to those around me (especially my brother). I was asked to photograph two church (EFC Irvine - Evangelical Formosan Church of Irvine) events... first was the 1.5 Gen worship (I was going to attend anyways, but my brother asked me photograph it - I was really honored and gladly accepted). The 1.5 Gen worship is more of an informal gathering than an actual fellowship that meets every other month or so. It is geared towards people like me, those of us that are not 1st generation Chinese, nor 2nd generation... those of us that have no place to call home, no single culture to identify with but instead straddle the line, mixing best parts (I hope) of both cultures. The service is done mostly in Chinglish and consist of song/hymns in the beginning, a sermon and quick prayer session... all kept informal for the younger audience. For this, I tried to capture of a personal relationship with God, and just the power of faith for individuals... Here are some shots:
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From EFC Irvine 1.5 Gen Worship |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
| From Evangelical Formosan Church of Irvine 20th Anniversary |
Comments [0]
This year has been another year of change... lots of things happening in my life, lots of things changing both in my personal life and in my photography life. This Tuesday I just had to end a great 2 and a half year long relationship. It was finally time to let it go and move on. It turned out much more difficult than I thought, especially after such a long time. I still remember the first day I held her in my hands it felt so natural. The first time out... it was with fellow photographer JC and his wife Joyce in Laguna Beach... That was the first sunset together... Then there were all the trips we went on... Taiwan, Shanghai, Death Valley, and Yosemite to name a few. She has helped me grow a lot, more than I could have imagined when I first took this path but things are different now I guess. In many ways I've out grown her and needed to move on... but saying good bye is always hard.... I am sure the next guy will take very good care of her.
Here are some of the more memorable photos:
This was at the end of the first photo trip with JC at Laguna Beach. I barely knew how to use my camera, what the difference was between "Av" and "Tv" let alone understand composition, lighting and all that. Heck, I carried my camera using a Ranch 99 plastic bag... As we were heading back to the car, I had this idea of taking this photo... I really liked the little lamps along the walk way and the stairs leading home... To this day, this photo remains one of my favorite and most memorable photos.
| From Some random shots |
![]() |
| From Some random shots |
![]() |
| From Some random shots |
| From 北橫, 大溪 (Northern Taiwan mountain route) |
Comments [2]
Comments [0]
So the long awaited announcement for the 5D replacement came today... "Destined Evolution"
Comments [0]
For those of you who followed my rant a few weeks back... then you'd know how I borrowed a friend's EF 24-105mm F/4 L IS lens on my Washington trip and dropped it from about waist high while changing lenses. Luckily I had the lens hood on so no major damage to the actual glass. The impact did however cause the lens to "lock up" (IS and AF seems to spaz out and then goes dead) in portrait mode. Today I got "my" lens back from Canon... Apparently the lens contact was busted (which is what causes the communication error and the lens to spaz out) and they also reworked the Image Stabilizer assembly, cleaned it up, recalibrate it etc etc. All in all... it only cost $158 dollars. Yes that is right... $158 to repair my dropped L lens.... I don't know about you, but I'm EXTREMELY happy considering this L lens costs over one thousand dollars new... I was expecting like a $300 repair bill or something insane but $158... that I like :).
Comments [0]
I just finished processing my Olympic National Park pictures from labor day weekend. We did the crazy night drive from Seattle to Port Angeles the night before, checked into the hotel at like 1:30 AM and got up the next day just after 8 AM. My mom said we were worse than tours :p.
| From Olympic National Park Part 1 |
| From Olympic National Park Part 1 |
| From Olympic National Park Part 1 |
| From Olympic National Park Part 1 |
| From Olympic National Park Part 1 |
| From Olympic National Park Part 1 |
| From Olympic National Park Part 1 |
| From Hoh Rainforest and Ruby Beach |
| From Hoh Rainforest and Ruby Beach |
| From Hoh Rainforest and Ruby Beach |
| From Hoh Rainforest and Ruby Beach |
| From Hoh Rainforest and Ruby Beach |
![]() |
| From Hoh Rainforest and Ruby Beach |
| From Hoh Rainforest and Ruby Beach |
![]() |
| From Hoh Rainforest and Ruby Beach |
![]() |
| From Hoh Rainforest and Ruby Beach |
![]() |
| From Hoh Rainforest and Ruby Beach |
| From Hoh Rainforest and Ruby Beach |
Comments [2]
While browsing a friend's blog today, I came across this song... it feels oddly familiar yet foreign at the same time. I could not believe this was sung by a Taiwanese singer... I am not very good with accents, so I can't quite put my finger on where the accent is from... but I love how it sounds. The melody is so simple, yet beautiful.... unfortunately embedding was disabled, so all I have is this link...
let's start from here
lose the past
change our minds
we don't need a finish line
let's take this chance
don't think to deep
all those promises we couldn't seem to keep
I don't care where we go
let's start from here
Comments [5]
So I've been giving a lot of thought to why I like photography... why I love to carry that heavy piece of equipment around with me where ever I go... I thought this section from Joe McNally's book (The Moment it Clicks) summarized my feelings perfectly (not that I'm even close to experiencing what he sees/experiences):
“What you see on these pages is not about a particular place, people, time, or cause. It’s not about one type of picture or another. It’s not about sportsmen or fashion models or war or politics or the news of the day.It is exactly about that... especially that last paragraph that resonates with me. It is all about the moment that shutter clicks, nervous that you missed the shot... and jumping for joy when you capture a frame that you want... just the way you imagined it in your head. I remember my first real portrait session with a friend in Taiwan... it was at some restaurant near my house. Here are some photos from that shoot... please remember this was about a month or 2 after I got my SLR.... so they are far from good shots...
It’s about being a photographer.
It’s about the sheer joy of clicking the shutter…repeatedly! The sweet sound of the shutter and the explosion that occurs in your head and your heart when you make the shot. The deal is the shot, you know. You make the picture and you know something just froze solid in a shifting world. Something stabilized, for all time. You just hung your hat on a moment that otherwise would be gone forever, and now you can go back and take a look at that moment, be it amazing or ordinary, any time you want.
It’s about your eye in the camera as the light hits just right. It’s about the slight turn of your subject’s face that speaks the truth. It’s about holding your breath as you shoot. It’s about the nerves, the joy, and the terror of wondering if you got it. And then dancing about, punching holes in the air when you know you do. It’s about… the moment it clicks.” -- Joe McNally
Comments [2]
So I was the "official" backup photog for a friend's wedding this past weekend... what an experience. I'll start with the boring stuff... my gear. I was so nervous with the request that I actually started freaking out a bit and did more planning than I would otherwise...
1. Lowepro Computrekker Plus - 6.06 lbs (I just bought this... great backpack... carries a ton... weighs a ton.)
2. Canon 20D x2 - 3.4 lbs (I borrowed an extra 20D just for this wedding...)
3. Canon EF-S 10-22mm - 0.85 lbs (This was gonna stay on one of the bodies full time. I love wide angle shots at weddings....)
4. Canon EF 50mm - 0.64 lbs (I need a fast lens that is great for portraits just in case I need in door available light or just a good portrait lens...)
5. Canon EF 100mm macro - 1.32 lbs (Brought this just in case... you never know when you need a macro lens for the ring or center piece type shots)
6. Canon EF 70-200 2.8 IS - 3.2 lbs (This is gonna be my main lens...)
7. 580 EX II flash - 0.83 lbs
8. 430 EX flash - 0.73 lbs
That's just the camera gear which comes in at about 17 lbs... plus laptop, power cord, batteries, chargers, random accessories and tripod... I was carrying 20 some odd lbs. I'm probably never doing that again.
So anyways, some select shots from the wedding:
I love this shot of the bride's dad. He looks a contemplative (or a bit sad). A thousand emotions and memories must be racing through his mind on this day. While I'm not thrilled about the guy in the background, I like the composition, especially the slight tilt. But really it just comes down to the emotion on the dad's face :).
| From Christina and Oscar's wedding |
This is my favorite shot of the wedding dress. Depending on the monitor you are viewing, the dress is either perfect or slightly too bright... sorry guys. In post I increased the contrast quite a bit to try to make the background fade out and the dress pop out more. It is unfortunate that I didn't control the DOF better to get the entire dress in sharp focus.
| From Christina and Oscar's wedding |
This is might be my favorite shot of the day I think. Using the dress as background for the wedding shoes seems to be a no brainer and standard thing to do... I of course didn't think of it until one of the brides maids told me. Thanks! I made it into a high contrast B&W image just for fun and all the distractions seems to melt away.
| From Christina and Oscar's wedding |
Shot of the bouquet, again using the dress as the background just makes sense (that and there are no good backgrounds in the tight hotel room that we were in). Having vibrant flowers set against the white dress seems to bring out the flowers even more which I like. Also I like the the fact that only half the bouquet is visible... no need to include the whole thing as that might be too distracting.
| From Christina and Oscar's wedding |
Just a fun little dance shot with some motion blur (on purpose of course :p)
| From Christina and Oscar's wedding |
So for the wedding itself, I concentrated on using the 70-200 and 10-22. The 70-200 allowed me to stay back and zoom in to capture the emotions on people's faces and just get close up shots. The 10-22 to me is a must have for weddings, it's just sooo much fun. I love using it as it can create really interesting perspectives and can really exaggerate the train. Some shots:
Long hall ways seem even longer with the super wide. It's great for impromptu group shots.
| From Christina and Oscar's wedding |
What do you do when you have a group of cool guys standing together? You use a super wide and get low to create the hero photo... I mean come on, you got a group of guys looking all cool in their suits... you gotta make it look dramatic right? Having a strong light source also seems to add a bit of drama I think. Just make sure you keep the subjects in the center so you don't get too much distortion.
| From Christina and Oscar's wedding |
Here is the super wide really exaggerating the dress train, making it look nice and long... Again, be careful of the distortion and try to keep the bride in the center.
| From Christina and Oscar's wedding |
Full album slideshow here:
Some lessons I learned...
1. Having 2 bodies with very different lenses helped tremendously. I can go from a super wide to get entire crowd in to a long telephoto and get close up shots near instantly. No more missing those special moments because you had the wrong lens!
2. Having a super wide is almost a must have I think. 24mm is not enough, you need wider. I love the fresh perspective you get from it, not to mention it does great job of exaggerating the beautiful train on the wedding dress. Also wide angle shots of people getting out of the limo or just of people partying can be really fun.
3. Be mindful of your setting... This applies both to your physical location as well as camera setting. Too often I forgot to change my setting when I go from in door (wide aperture to get all the light, shallow DOF) to out door without changing my settings. What I get are a bunch of crappy pictures where the bridge is in focus but the groom is not due to the wide aperture. Remember to step down and lower the ISO when you are outside... inside, you might have to bump up the ISO quite a bit and open up the aperture. I need to be far more careful of my settings in the future... way too sloppy.
4. Use a flash... both inside and outside. The flash outside allowed me to shoot against the sun in a number of shots and still get a half descent exposure of the main subject. Very useful as fill flash. It is even more important in doors so you don't get blurry or really dark photos. If you use a flash in doors, consider gelling your flash to match the ambient light. Slap on a CTO (color temperature orange) gel if you are shooting inside a room lit by tungsten lights so that the flash color will match the ambient light source so that it can all be corrected by camera's white balance. If you are shooting in fluorescent, use window green gel.
--
Posted By Ping to Pinging Ping at 9/10/2008 01:18:00 AM
Comments [0]
Comments [0]